BOOK BATTLE! The Cursed Child

Who would ever have thought it would come to this?

Two BFFS, Bookeater Kelly and Bookeater Rachel, at odds over The Cursed Child!
Kelly loved it, Rachel hated it- how will they ever reconcile their friendship?

With a BookEater Book Battle of course! The literary version of a corridor death match pistols at dawn duel!
Who will open up a can of literary whoopass and emerge victorious?!

(We made efforts to keep it spoiler free but failed miserably towards the end… you are duly warned!)


Rachel: So, I didn’t like it. To start with, I didn’t particularly like the format. The difference between the richness of the Harry Potter books and this bare bones play was stark

Kelly: I agree with that, but it was never trying to be a book. It was published as a screenplay so it was always going to be different.

Rachel: That’s true but I didn’t consider it a positive difference

Kelly: I think it depends what you wanted from it. I loved the idea of finding out what happened to the characters afterwards, the “living in your father’s shadow” theme and the impossibility of living up to being the son of the boy who lived. For me, the characters made up for any lack in description.

Rachel: That’s interesting because I thought the characters and the theme were pretty terrible

Rachel: The characters didn’t seem to be in line with how they were portrayed in the books and I found the theme of living in your father’s shadow to be depressingly mundane

Rachel: I wasn’t expecting them to have been the exact same as in the books but I felt the fundamentals of their characters were different

Kelly: But we grow up and change. We aren’t the same people we are at school. I mean- you and I are awesome still, but for different reasons!

Kelly: And a lot of the actual stories in the original series are mundane, just set in a magical environment- like this one was.

Kelly: Although if you delve into Harry’s personality more, he was always filled with doubt about his wizarding skills, it’s just that now he doubts his parenting skills.

Kelly: I loved Scorpius!

Draco and Scorpius from Pottermore
Draco and Scorpius from Pottermore

Rachel: We do grow up and change but we aren’t witches nor are we the focus of an entire franchise of books devoted to making magic out of the mundane. That is what made JK Rowling’s stories so wonderful and that isn’t what happens here. Here the magic is burdened, is dragged down and is overwhelmed by the ordinary, the boring, the mundane.

What does The Boy Who Lived grow up and do? Erm, well actually he has a pretty boring desk job, three kids and a severely middle class, suburban outlook on life.

Wow what an exciting sequel. #snooze #evaporatedmagic

Rachel: Scorpius wasn’t bad. What did you like so much about him?

Kelly: I can’t help but feel that the play is much different and pulls on the magic more. Again, because it’s a screenplay we lose some of the description and background that makes it more magical. We only have the dialogue, and that’s never going to be able to incorporate all the magic.

Kelly: I thought Scorpius was a wonderfully funny character. He’s so the opposite of what you expect a Malfoy to be. I kept waiting for him to do something evil!

Kelly: I found it quite nostalgic. I can’t expand on that because of spoilers. Did it give you that feel at all?

Rachel: Not really to be honest. I felt a bit betrayed (or something slightly less dramatic!). I felt a bit like I did when I found out Father Christmas doesn’t exist (is that a spoiler too?!)

Kelly: (What do you mean? Father Christmas is real- I’ve met him!!)

Rachel: I agree with you on Scorpius actually. He was pretty funny and loyal, and I could see him being in the original extended gang. He made up for my disappointment in the neutering of Draco Malfoy

Rachel: Which to be totally honest was a process begun by Rowling

Rachel: (Oh, yes, OF COURSE he is real…..)

Kelly: It was- it began in the last book. When you are on the losing side, you are going to be neutered. But there is still the distrust between him and Harry.

Kelly: (Thank goodness! You had me worried for a bit!)

Rachel: Which I didn’t find believable. But again, this is really Rowling’s fault. He didn’t seem to have suffered any consequence in her epilogue for having been essentially evil albeit in a flawed manner so why would he here?

I found the family aspect of his storyline to be a bit affecting (although think it clashed with stated facts from the epilogue)

Kelly: Affecting in what way?

Rachel: I felt sorry for Draco because of what happened to his family (close to spoiler territory!). And his reactions felt real

Rachel: Which unfortunately just contrasted with how unaffecting I found Harry

Kelly: I agree with your comments on Draco, but disagree about Harry. I thought his actions were realistic and he made me react emotionally throughout the screenplay. I felt angry with him, a bit disappointed in his reactions (which I think was the point) and sad for him. Can I say that the bit I was most disappointed with was how small a role Ginny had.

Harry, Ginny and Albus from Pottermore
Harry, Ginny and Albus from Pottermore

Rachel: Yes! It was as if she was totally erased as a proper character!

Rachel: And they had such a good opportunity to show how the two characters had grown together and complemented each other

Rachel: Wasted

Kelly: Exactly. She was purely there to give Harry and Albus a sounding board, and to give them advice that they ignored. Such a shame.

Rachel: She could have easily been a brand new character for all of the emotional attachment I had to her

Rachel: Wasn’t massively impressed with Ron or Hermione either. The Trio felt missing. I couldn’t find that amazing connection and camaraderie they had

Rachel: And don’t tell me that it’s because they’re grown up and friendships change because we’re living proof that friendships can be just as marvellous, if not better, decades on!HHR CC

Kelly: Ha ha! We are living proof of that! But not everyone is as lucky as us, and doesn’t Hermione admit that work has gotten in the way and they haven’t been as close as they once were? Or did I make that bit up? I’m sure it was part of the story.

Kelly: But less of the decades please. We’ll stick to “years on”. It ages us less!

Rachel: Maybe I am biased because even when work and life gets in the way of us, we still managed to get through the, erm, several years on (!) with our closeness still intact.

I just felt that these three saved the world together; they wouldn’t let work get in the way

Rachel: Particularly as their friendship was SUCH a core element of the original story

Kelly: I do get what you mean.

Rachel: So I think I could have forgiven or got past most of my concerns (not really to the extent of thinking it was a good book/play, but at least to the stage of not regretting I’d read it) if it hadn’t have been for the plot. Not so much the main plot as I thought that was fairly decent. It was the addition of that character and their origin… You know the one I mean


Kelly: I do. I understand what you mean, but again I feel it draws on the themes of the play. Without giving too much away, you have Scorpius who is forging a path away from his father and is a good guy, Albus who is struggling to make a life away from his father’s shadow, and then the other person who just embraces their father’s character. It provides contrast.

Rachel: It provide contrast but in a way that completely undermines the character of the father, and as such, undermines a central concept of the original series. It’s difficult to not spoil things but this new character’s very existence contradicts a central aspect of the father’s core belief and the actions they take on those beliefs.

If they were going to introduce this new character, they could have done it a different way. They didn’t actually need to be that character’s progeny

Kelly: I don’t know how to reply without spoiling the book. I would say that I disagree and think that we don’t know completely that this would be against the characters core beliefs. In fact, it’s in keeping with the characters actions.


Kelly: But wouldn’t Voldemort have created her as another horcrux? There was nothing to suggest love between them

Rachel: The idea that he would feel enough human emotion to actually have sex with Bellatrix is baffling to me, but more importantly, it’s a distraction from his main purpose

Rachel: And it’s totally unrealistic that no-one ever found out

Rachel: And why did she confund Amos except that otherwise the rest if that story makes no sense

Kelly: But we don’t know Voldemort as well before he tried to kill Harry, there may have been aspects of him we don’t know.

Kelly: Maybe it was a turkey baster?!

Rachel: Ewwwwwww!

Rachel: I think it was sensationalism. Delphi would have worked better had she been the child of Bellatrix and Rodolphus and was trying to live up to her mother’s legacy and restore Voldemort for her

Rachel: Still fits in with the theme

Kelly: I do get what you mean, that’s a good way around it and makes just as much sense

Kelly: (Is it ok that this isn’t a battle, more a polite discussion of views?)

Rachel: (Yep, we’re bffs, we aren’t going to let a book bring us to fisticuffs!)

Kelly: I still really enjoyed this book, as a screen play. It works as that, it’s not a novel and shouldn’t be treated as one. I completely got your beef with “that” character and feel your solution is much better. Maybe you should write to JK?!

Rachel: Kelly hasn’t swayed me although I do concede that I’m perhaps too harshly punishing the cursed child for being a play rather than a novel. However, it was billed so much as the continuation of the original series, the ‘what happens next’ and I think it just gets so many things wrong. And the new character tipped me over the edge! (Seriously, I have SO many beefs with it!)



Rachel Brazil
Although well-known amongst my family for my habit of falling asleep with a book on my face, I’ve not let the constant face bruises deter me from indulging in my favourite pastime. There is no famine, only feast, in my house with every flavour of book available for consumption.

I’m happy to sample almost anything from the smorgasbord of literature available but can always be tempted with a juicy murder mystery or sweet little romance.

Book Battle: The Girl With The Dragon Tattoo

Occasionally, here at Bookeater HQ, we like to have two different people review the same book. Often, the opinions given are very different.

Girl With The Dragon TattooThis week, BookEater Tam and her mother, Maureen, -who often pass books to and fro to each other- cast their judgement on The Girl With The Dragon Tattoo by Steig Larsson.

We were a bit surprised at their opinions- one of them loved it, the other didn’t. Can you guess which?



This is a brilliantly written book – well researched, complex with a gripping plot and deeply intriguing characters.
The story begins simply enough with Swedish journalist Carl Mikael Blomkvist indicted for libel for an article he wrote based on false information.  Was his informant deliberately misinforming or was the material innocently provided but factually inaccurate?  This court case forms the basis for a novel which tackles issues of power, corruption, justice and innocence whilst also drawing a reader into frightening interwoven mysteries.

The main characters are Mikael Blomkvist who, following the court case, is commissioned to write a family history of the Vanger family.  Henrik Vanger, who is head of the Vanger Corporation, tormented by the loss of a cherished niece decades earlier and convinced that a member of his family has committed murder.   And enigmatic Lisbeth Salander, the girl with the dragon tattoo, who assists Blomkist in his investigations with her outstanding skills as a computer hacker.

Among the darker themes of this book sexual violence towards women and insights into venal corrupt minds are thought provoking and disturbing elements of the narrative.  I felt that these aspects, along with the rest of the book, had been thoroughly researched and not gratuitously included.  Notwithstanding, overall it is a compelling read and worthy of the concentration required.

This book created much excitement when it was originally published in Sweden in 2005 under the title “Men who hate women”. While that sums up the central theme of the story, it portrays women as objects on the receiving end of mans’ brutality. The British title in contrast gives a different impression. A girl, with a tattoo that symbolises primal forces, that is associated with the image of those Viking ‘dragon ships’ which struck fear into the hearts of those about to be invaded; this girl, it says, is not a victim but a force to be reckoned with, this girl is powerful. This girl is Lisbeth Salander, private investigator and hacker

As it is with the two titles so it is with the views of the book. Some people find it exploitative of women, a dark, ugly portrayal of how men abuse them and how prevalent masochism and sexual deviation is in Swedish society. Others read this and champion its main female protagonist as superhuman, courageous and brilliant and they herald the revenge she takes on her abuser. She is multi-skilled, resilient, amoral, angry and driven, with just a hint of a softer, more vulnerable person inside.

The story centres on an investigation into the disappearance of a girl 40 years earlier and the complicated web of family relationships and secrets that must be unravelled to find the truth. Major subplots included a journalist’s battle to clear his name and expose corporate corruption, and Salander’s troubled past and unconventional life.

I found it a compulsive read, intricate and engrossing and I felt compelled to devour its sequels immediately I finished it. However I can categorically say that I don’t like it. Its theme is oppressive and the violence, particularly the sexual violence is not glossed over. I don’t know what I expected when my (then 76 year old) mother told me excitedly that it was ‘fantastic’ and an absolute ‘must’, but it certainly changed my idea of what to buy her for Christmas.

I know I will read the trilogy again because of Lisbeth Salander, a character so intriguing that she immediately spawned a host of books and articles each trying to analyse her and pigeon hole her, yet is her unquantifiable nature that make the books such a draw.

Tamara Thomas
I am the only girl and youngest of four children, I grew up in a home stuffed with books, and now some fifty years later, great piles of them still appear in every room I inhabit. I won’t waste my time reading books that leave me feeling sour, dirty or depressed; books are a source of light and inspiration in my world. Nevertheless, I love a book that makes me cry with loss or sadness such as Captain Corelli’s Mandolin or The Book Thief. Bliss is a winter’s afternoon on the sofa, snuggled in with my dogs, stove blazing and an absorbing book.