I can’t tell you how much I was looking forward to this second novel by Axel Blackwell as his debut novel Sisters of Sorrow blew me away so I was delighted to be sent an advance copy for independent review.
So what’s it all about? Well, as the title suggests there is an element of supernatural but much of the plot is rooted in American small city life.
Glen is a young man wracked with feelings of guilt and failure because he did not intervene to save his girlfriend from being raped and murdered seven years earlier. In his desperate attempts to assuage the guilt and find a way of bringing the perpetrators to justice he started a small project aimed at tackling violence. His endeavours caught the attention of Alan Fontain a wealthy and charismatic entrepreneur who poured money and other resources into it and became mentor, father figure and best friend to Glen. Under their partnership The Constance Salvatore Project grew into a highly successful program for the community with dramatic crime reducing outcomes; but for Glen the success of The Project merely served to emphasis his failings and isolates him from the memory of the Connie he loved.
With much of his life in limbo Glen lives in an apartment above his sister’s garage. Sophia was a registered nurse and partway through her year’s internship in a hospital when, just months after Connie’s death, a terrible car accident left her with a brain injury causing seizures and memory problems. Glen and Sophia find their lives irreparably changed by the events and look out for each other as best they can.
Stifled by the very success of the project Glen has told Alan that he needs to leave and find another way to make amends but Alan is more than reluctant to let him go. Finally Glen realises that he must take control of his future and he makes a public resignation at gala dinner thus forcing Alan’s hand.
The first third of the tale is basically the introduction to, and history of the characters that brings us to the point of Glen’s resignation. From here it takes on a very different atmosphere for this is where the Timeweaver and the wager come into it. Alan insists that before Glen leaves he listens to the truth about Alan’s own past and then he will be free to go. What Alan reveals has the power to change Glen’s life if he really wants it.
Who doesn’t have a conscience that pricks. How many of us have claimed that given a chance we would go back if we could and do something differently, display moral fibre, prevent something we knew to be wrong? So why didn’t we do it at the time? Perhaps we were really frightened, or selfish or maybe just embarrassed. How many of us would truly be prepared to lose everything we have, to go back and undo a wrong that we had allowed to happen. This is the extraordinary choice that is suddenly offered to Glen – go back, be fifteen again and die failing to protect Connie, or continue with the empty charade of his current life. I won’t spoil the plot, if you want to know the outcome you must read it for yourself.
So what did I think of it? I enjoyed the premise of the story and felt real warmth in the relationship between Glen and Sophia. I loved the idea of Samir’s wager with God and thought that the strands of the plot were brought together extremely well in the final third of the tale. But it felt very much like a three chapter book comprising the introduction, Alan’s story, Glen’s story. The novel is very short and I feel that too much of the story was told rather than experienced with the result that the first two thirds read more like extended notes or potted histories. In contrast the final third was excellent, I experienced the drama, the fear and the action and it really flowed. Overall my view is that The Timeweaver’s Wager had all the promise of Sisters of Sorrow but felt rushed and lacked the nurturing that it deserved.