Hanif Kureishi was once reknowned for his coming of age tales. He wrote the film My Beautiful Laundrette and then one the Whitbread Prize for The Buddha of Surburbia. Now he has turned his pen towards dying.
The Nothing starts like this “One night, when I am old, sick, right out of semen, and don’t need things to get any worse, I hear the noises growing lonuder. I am sure they are making love in Zenab’s bedroom which is next to mine.”
It follows Waldo, a fêted filmmaker confined by old age and ill health to his London apartment. Luckily he met the love of his life before this and she has cared for him faithfully for the last ten years. But when Eddie starts hanging around too much – allegedly collecting material for a retrospective on Waldo’s work – he suspects them of starting an affair. He is determined to prove his suspicions correct — and then to enact his revenge.
One thing that hasn’t changed is Kureishi’s refusal to sublimate. Every kink and nuance of Waldo’s is uncompromisingly displayed … actually some of those kinks could be considered compromising, but not by a writer like Kureishi or a character like Waldo. It’s told in first person and Waldo is one of those characters who is both charismatic and a little bit creepy. He’s fairly cynical so all of the characters bad sides are shown. I have to admit I took a moment to check Kureishi’s age, after all he’s been known to be a bit biographical in the past! (He’s only 62 so Waldo definitely isn’t based on him… your guesses as to who he is based on are more than welcome 😂)
But this isn’t just a character study, it’s a twisted tale of jealousy and revenge. And it rips along at a cracking pace.
Definitely recommended – 4 Bites!
NB I received a free copy of this book through NetGalley in return for an honest review. The BookEaters always write honest reviews