If I were asked to formulate a list of my favourite authors (which I constantly imagine I am, normally whilst pretending I’m being interviewed after winning some kind of award), Neil Gaiman would always be near the top. His prose is poetic, he is passionate about what he does, and is capable of geeking out over his heroes like the rest of us. In this collection of his non-fiction writing, Gaiman talks on various subjects within speeches, book introductions and newspaper and magazine articles, all with the unique voice which could only be his. When collecting the Newbury Medal Speech for The Graveyard Book, he spoke about the importance of creating and “telling lies for a living”:
“….Somewhere out there is someone who needs that story. Someone who will grow up with a different landscape, who without that story will be a different person. And who with that story may have hope, or wisdom, or kindness, or comfort.
And that is why we write.”
Gaiman’s words resonate. They are capable of producing such emotion, and he manages to make it all seem so effortless.
He also has had the privilege of introducing books written by, or about, friends and favourite authors, director and filmakers. Some he has known well, like Terry Pratchett and Douglas Adams. Some he has never known, like Ray Bradbury or G.K Chesterton. All have inspired him.
“They fall off the conveyor belt into the darkness, our friends, and we cannot talk to them anymore.”
What strikes you more than anything in reading this book, is the effect reading had on him as a child. He is a firm believer that there is no such thing as bad books for children, that children should be encouraged to read, not forced down a path which may lead them to stop reading altogether. He also talks about how TV, film and comics stimulated him creatively as a child, how these things stay in the subconscious long after they are consumed.
I did not read all the writings. I dipped in and out, starting with the titles that shouted out to me, moving back to read more on the section about films and introductions. Skipping past the comic book section with more ruthlessness. But this is a book which can be consumed in this way, and then you find yourself so absorbed in the writing that you are reading about a film you’ve never heard of before, but suddenly want to watch more than anything else in the world. Neil Gaiman’s words are like magic, and here we get a small glimpse behind the curtain.